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Adobe After Effects CS release notes - Render and export a movie using the render queue

This document contains late-breaking product information, updates, and troubleshooting tips not covered in the After Effects documentation. For updates to system requirements and more detailed information about video hardware compatibility, visit www. For CS Live system requirements, visit www. This product may allow you to extend its functionality by accessing certain features that are hosted нажмите чтобы прочитать больше, including the Adobe CS Live online services "Online Services".

Use of the Online Services is governed by adobe after effects cs5 32 bit free trial free terms of use and by the Online Privacy Policy, and access to some services may require user registration.

Some Online Services may be subject to fees and require a subscription. Fees subject to change. For more details and to review the applicable terms of use and Online Privacy Policy, visit www. Before you install, close all applications currently running on your system—including other Adobe applications, Microsoft Office applications, and browser windows.

It is also recommended to temporarily turn off virus protection during the installation process. You must have administrative privileges or be able to validate adobe after effects cs5 32 bit free trial free an administrator. If you are installing as an upgrade, the installer will check your system to find the valid upgrade product. If it cannot find it, it will ask you to input the serial number of the product being upgraded.

You can also install the software in trial, then input your new and previous serial numbers in the serialization screen shown during launch. This applies to both the standalone versions of the applications as well as the components of Master Collection CS5. If you are using a bit operating system, Adobe recommends that you upgrade to either:. To ease the transition to a bit operating system, Master Collection CS5. Until you upgrade to a compatible bit основываясь на этих данных system, you can install and use the bit support package included with your adobe after effects cs5 32 bit free trial free.

Читаю windows 10 enterprise version 1511 iso free извиняюсь you upgrade to a qualified bit operating system, you can install and use Adobe after effects cs5 32 bit free trial free Premiere Pro CS5. You do not need to install the bit support package. To benefit from the workflow enhancements of Dynamic Link you must install the bit Support package included with your purchase.

For more detailed information about troubleshooting your installation, go to www. Note: In order to install additional components or reinstall your software after your original installation, you will need access to the original installer DVD or the посетить страницу from the web.

Repair is not an available option. Before you uninstall, close all applications currently running on your system—including other Adobe applications, Microsoft Office applications, and browser windows. Note: If you want to install the product on a different computer, you must first deactivate the software on your computer.

Creative Suite 5. To convert your trial, enter the serial number from your purchase into the product screen that counts down the remaining days in the trial. You can enter a serial number to convert the trial at any time during the day trial period or after the trial ends.

If you purchased CS 5. Adobe /15702.txt Pro CS5. For additional information, visit www. You must accept the license agreement and warranty terms to use this product. See www. This product may automatically attempt to activate over the Internet.

In order to take advantage of your complimentary access to CS Live online services, and get up-to-date product information, training, newsletters, and invitations to Adobe events and seminars, you must register your product. To learn more about CS Live online services, visit www.

All font related documentation is online. The Creative Suite 5. If the installer finds older versions of these fonts in the default system font directory, it will uninstall the older versions, and save them to a new directory. The default system font directory is:. This new directory will also contain a file named "Read Me.

You can re-install the older fonts by deleting the new font files from the default system font directory, and moving the old files back into that directory. There are additional fonts on the content disc. Please refer to Adobe Support for late-breaking information and known issues for all Creative Suite 5.

Adobe Customer Service provides assistance with product information, sales, registration, and adobe after effects cs5 32 bit free trial free non-technical issues. To find out how to contact Adobe Customer Service, please visit Adobe. Alternatively, you can click on Change beside the country name at the top of the screen to select a different country or region. We are continually making additional tools and information available online in order to provide you with приведенная ссылка options for resolving issues as fast as possible.

If you are having any issues with installing or uninstalling any of your Creative Suite 5. For additional CS5 installation help, go to www. For complete Help plus community-based instruction, inspiration and support, go to www.

Adobe Design Center. Adobe Developer Connection. Adobe Marketplace and Exchange. Adobe Certification Program. Adobe Partner Programs. Find an Adobe Authorized Training Center. Mac OS is a trademark of Apple Inc. Java is a trademark or registered trademark of Sun Microsystems Inc. Legal Notices Online Privacy Policy. Creative Suite. After Effects CS5. Minimum system requirements Install your adobe after effects cs5 32 bit free trial free Uninstall your software Trial software Electronic licensing Registration information Font installation Known issues Customer care Other resources.

Minimum system requirements. Install your adobe after effects cs5 32 bit free trial free. Do one of the following: Windows : Insert the DVD in your drive, and follow the on-screen instructions. If the installer does not launch automatically, navigate to the Adobe CS5. If you downloaded the software from the web, the installer will adobe after effects cs5 32 bit free trial free and download free windows 10 express scribe automatically.

If the installer does not launch automatically, open the folder, navigate to the Adobe CS5. Mac : Insert the DVD in your drive, navigate to the application folder found at the root level on your disk, double-click Install. If you downloaded the software from the web, open the folder, navigate to the application folder, double-click Install. Insert the Adobe Creative Suite 5. Double-click Setup. Follow the onscreen instructions to install the bit support package.

When prompted to enter a serial number, enter your bit support for CS5. Known issues. Flash Catalyst and Flash Builder cannot be selected for install when the user name includes 4-byte characters. Re-launching Premiere Pro after serializing will install the protected content immediately. Uninstall your software. Select the product that you want to uninstall, click Uninstall, and then follow the on-screen instructions.

DO NOT drag applications to the trash to uninstall them. Select Remove Preferences, then Authenticate as an Administrator and follow the on-screen instructions. If you are uninstalling subscription software, please note that uninstalling does not cancel or stop your subscription. To cancel your subscription, please go to Your Subscriptions at www. BG Note: If you want to install the product on a different computer, you must first deactivate the software on your computer. Trial software.

Electronic licensing. Registration information. Font installation. Customer care. Customer Service Adobe Customer Service provides assistance with product information, sales, registration, and other non-technical issues.

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Minimum specifications. Recommended specifications. Operating system. Microsoft Windows 10 64 bit versions and later. Hard disk space. Monitor resolution. More system requirements Hardware acceleration system requirements.

VR system requirements. Head Mounted display. Other requirements. After you have completed a composition, you can output a movie file. There are two different methods of outputting a movie file. Choose the one based on your needs. You need a high-quality movie with or without an alpha channel or image sequence that will be placed in a Premiere Pro sequence, or used in another video editing, compositing, or 3D graphics application.

To create a high-quality movie file, render it with the Render Queue. See Render and export with the Render Queue panel. See The Adobe Media Encoder. The project information is saved without rendering. In general, data transferred through Dynamic Link is not rendered. A movie can be made into a single output file that contains all the rendered frames, or it can be made into a sequence of still images as you would do when creating output for a film recorder.

To generate output, you can either render your compositions using the After Effects render queue or add your compositions to the Adobe Media Encoder queue with the render settings that you have chosen in the Render Queue panel. When you manage render and export operations with the Render Queue panel, the embedded version of the Adobe Media Encoder is called automatically.

The Adobe Media Encoder appears only in the form of the export settings dialog boxes with which you specify some encoding and output settings. See Encoding and compression options for movies. The embedded version of the Adobe Media Encoder used to manage export settings within After Effects output modules does not provide all the features of the full, stand-alone Adobe Media Encoder application.

The primary way of rendering and exporting movies from After Effects is through the Render Queue panel. When you place a composition into the Render Queue panel, it becomes a render item. You can add many render items to the render queue, and After Effects can render multiple items in a batch, unattended. When you click the Render button in the upper-right corner of the Render Queue panel, all items with the status of Queued are rendered and output in the order in which they are listed in the Render Queue panel.

You do not need to render a movie multiple times to export it to multiple formats with the same render settings.

You can export multiple versions of the same rendered movie by adding output modules to a render item in the Render Queue panel. When working with multiple render items, it is often useful to add comments in the Comment column in the Render Queue panel. In the Render Queue panel, you can manage several render items at once, each with its own render settings and output module settings.

Output module settings—which are applied after render settings—determine post-rendering characteristics such as the following:.

Using the Render Queue panel, you can render the same composition to different formats or with different settings, all with one click of the Render button, for example:. You can output to a sequence of still images, such as a Cineon sequence, which you can then transfer to film for cinema projection.

You can output using lossless compression or no compression to a QuickTime container for transfer to a non-linear editing NLE system for video editing. You can select, duplicate, and reorder render items using many of the same keyboard shortcuts that you use for working with layers and other items. See General keyboard shortcuts. To transfer the output rendered from After Effects to film or video, you must have the proper hardware for film or video transfer, or have access to a service bureau that can provide transfer services.

To create a composition from a footage item and immediately add that composition to the render queue, drag the footage item from the Project panel to the Render Queue panel. It is a convenient way to convert a footage item from one format to another.

Click the triangle next to Output To in the Render Queue panel to choose a name for the output file based on a naming convention, and then choose a location; or click the text next to the Output To setting to enter any name. See Specify filenames and locations for rendered output. Click the triangle to the right of Render Settings to choose a render settings template, or click the underlined text to the right of the Render Settings to customize the settings.

See Render settings. When a log file has been written, the path to the log file appears under the Render Settings heading and Log menu. Click the triangle to the right of the Output Module to choose an output module settings template, or click the underlined text to the right of Output Module to customize the settings.

You use the output module settings to specify the file format of the output movie. In some cases, a format-specific dialog box opens after you choose a format, in which you can choose format-specific settings. If you have new preferences as opposed to upgraded or imported preferences, the output module default is set to High Quality. See Output modules and output module settings and Encoding and compression options for movies. When an output name and location have been set, and render settings and an output module have been selected, the entry in the Render column automatically becomes selected shown by a check mark and the status changes to Queued.

The status Queued means that the render item is in the render queue. Press Caps Lock before you start rendering to prevent the Composition panel from displaying rendered frames. By not updating the Composition panel, After Effects requires less time to process simple render items with many frames. To fasten the process, use Multi-Frame Rendering. See this tutorial to learn how to use the render queue to export files. When rendering of a render item is complete, it remains in the Render Queue panel with its status changed to Done until you remove the item from the Render Queue panel.

You cannot rerender a completed item, but you can duplicate it to create a new item in the queue with the same settings or with new settings. After an item has been rendered, you can import the finished movie as a footage item by dragging its output module from the Render Queue panel into the Project panel.

See Import footage items. The dynamic Current Render bar represents memory usage - bright green is frames currently rendering, blue is frames written to disk, and dark green in between is frames that have been rendered but not written to disk.

The render item is listed in the Render Queue panel but is not ready to render. Confirm that you have selected the desired render settings and output module settings, and then select the Render option to queue the render item. Needs Output. An output filename has not been specified.

Choose a value from the Output To menu, or click the underlined Not Yet Specified text next to the Output To heading to specify a filename and path. After Effects was unsuccessful in rendering the render item. Use a text editor to view the log file for specific information on why the rendering was unsuccessful. User Stopped. If the disk to which an output module is writing runs out of space, After Effects pauses the render operation.

You can clear additional disk space and then resume rendering and exporting. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Queued is added to the Render Queue panel.

The new item uses the same output filename and has the same duration as the original render item. The render item for which rendering was stopped is assigned the status User Stopped, and a new item with the status of Unqueued is added to the Render Queue panel.

The new item uses an incremented output filename and resumes rendering at the before frame at which rendering was stopped—so the first frame of the new item is the last successfully rendered frame of the stopped item. Basic information about the current batch of renders is shown at the bottom of the Render Queue panel:. To view more information about the current render operation, click the triangle to the left of the Current Render heading.

The Current Render pane collapses closes after a short time. To view details of a completed render, review the log file. A chime plays when all items in the render queue have been rendered and exported; a different sound plays if a render operation fails. The sounds folder is in the following location:. After Effects can send you remote notifications after the rendering process is complete, eliminating the need to wait at your machine to know when the files are ready.

Notifications are sent to your Creative Cloud mobile desktop app, your mobile device with the linked Creative Cloud app installed, along with your smart watch linked with your mobile. You can also export After Effects compositions directly into Adobe Media Encoder, which offers the flexibility to continue working in After Effects while files are being processed.

To fasten the process, use Mutli-Frame Rendering. When you use Adobe Media Encoder, you can also use additional presets and options that are not available in the After Effects Render Queue. You can add your composition to the Adobe Media Encoder Queue using one of the following methods:.

The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option.

The output filename and location are transferred, however, Adobe Media Encoder does not use the filename and location templates, which may result in image sequence numbering mismatch. The Import After Effects Composition dialog box opens.

Choose the composition you want to encode. Encode the file as you normally would by choosing presets and an output location in Adobe Media Encoder. After Effects provides various formats and compression options for output. Which format and compression options you choose depends on how your output will be used.

By contrast, if the movie that you create from After Effects is an intermediate product that will be used as input to a video editing system, then you should output without compression to a format compatible with the video editing system. See Planning your work. Keep in mind the fact that you can use different encoding and compression schemes for different phases of your workflow. For example, you may choose to export a few frames as full-resolution still images for example, TIFF files when you need approval from a customer about the colors in a shot; whereas you may export the movie using a lossy encoding scheme for example, H.

You can add the ability to export other kinds of data by installing plug-ins or scripts provided by parties other than Adobe. The Collect Files command gathers copies of all the files in a project or composition into a single location. Use this command before rendering, for archiving, or for moving a project to a different computer system or user account. When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder:.

After you collect files, you can continue making changes to a project, but be aware that those changes are stored with the original project and not with the newly collected version. For All Comps. For Selected Comps. Collects all footage files and proxies used in compositions currently selected in the Project panel. For Queued Comps. Collects all footage files and proxies used directly or indirectly in any of the compositions with a Queued status in the Render Queue panel.

None Project Only. Generate Report Only. Obey Proxy Settings. Use this option with compositions that include proxies to specify whether you want the copy to include the current proxy settings.

If this option is selected, only the files used in the composition are copied. If this option is not selected, the copy contains both proxies and source files, so you can later change proxy settings in the collected version. If you choose For Queued Comps in the Collect Source Files dialog box, After Effects uses the proxy settings from the render settings, not the composition.

Reduce Project. Change Render Output To. Use to redirect the output modules to render files to a named folder in the collected files folder. Rendering status must be valid Queued, Unqueued, or Will Continue for the output modules to render files to this folder. You can use the Collect Files command to save projects to a specified watch folder and then initiate watch-folder rendering over a network. After Effects and any installed render engines can then render the project together across a network.

See Set up watch-folder rendering. Sunshine through clouds, headlights through fog, or horror movie titles: Shine does it all. Choose from 22 powerful presets, or make your own light ray effects from scratch. Trapcode Starglow. Starglow is a fast-rendering multidirectional glow effect. It can be used to create multicolored star-shaped glints similar to effects created by a camera filter.

Each customizable glow consists of up to eight directions, and each direction can be assigned an individual color map and streak length, offering endless possibilities. The powerful plug-ins in Warp give you ultimate control over shadows, reflections, glows, and corner point warps. The Shadow tool renders shadows for text or subjects shot on greenscreen, while the Reflection tool creates mirror-like reflections. Use Radium Glow to add sophisticated glows and glimmers to any project. The Corner Pin tool heightens realism in any scene with advanced features for working with warped images, importing tracking data from mocha for After Effects, and adding secondary transforms and motion blur.

Red Giant Text Anarchy. Whether you're adding visual background noise, using text as a texture, or flashing words to reinforce a theme, text is an important element of your composition. Choose from Bezier paths, particle arrays, and matrix-style patterns: Text Anarchy generates the coolest effects while giving you fine typographic control.

Also includes the Geomancy Shapes plug-ins. Red Giant ToonIt. Give video footage that sought-after cartoon look easily and quickly with unique algorithms to transform your image into beautiful cartoon shading and lines. Its five plug-ins free you from time-consuming techniques like rotoscoping and hand painting and give precise control over styles, shading, and outlines. Version 2 adds the Heat Vision plug-in mimicking the look of the Predator movies , 14 new styles, new presets, and faster output.

Red Giant Universe is a free community that gives you access to fast and powerful free tools for editing, visual effects and motion design. The universe library of tools is continuously growing - new effects and transitions are added regularly, and existing tools are updated just as frequently. Reduces noise using novel feature-sensitive spatial filtering along with time-based optical flow methods!

Automatically color match one view of a clip to another so that it looks as if it was shot with the same camera and settings. Get the ultimate toolset to smooth your imagery by combining user-directed controls and feature-sensitive methods.

Makeup Artist. Look Sweet. MovingPicture is a tool for producers and editors to pan and zoom on high-resolution still images. It takes scanned images up to 8, pixels and allows for perfectly repeatable pans and zooms directly from a Windows or Mac computer or as a plug-in to Adobe Premiere Pro. MovingPicture is widely used by broadcasters, documentary film producers, schools, and corporate and event videographers.

Color Finesse. Color Finesse offers high-end color correction and enhancement tools including multiple color spaces, tonal correction, curve-based correction, automated color matching and balancing, six-channel secondary color correction, reference images with split wipes, smart color legalizing, and waveform monitor and vectorscope displays.

Precision tools provide perfect alignment of 3D source imagery in all vectors. Moods offers the essential tools to easily achieve color balance and stylised looks while on tight deadlines.

Nodes offers editors and Motion graphics artists a unique tool to combine text, images and graphics into beautiful 3D animations. Nodes lets you play with several different presets, or you can create your own graphic vocabulary by customizing all available parameters. Visit our partner. UHD, 4K, 8K or higher resolution video now can be processed many times faster than with other production codecs.

Maximum image fidelity is maintained using the native floating-point color pipeline in Adobe Premiere Pro. Drastic's MediaReactor plug in set provides the widest set of input and output file types available.

SurCode for Dolby Digital, a 5. Now both MPEG-2 video and AC-3 surround or stereo audio can be encoded and multiplexed simultaneously within Adobe's latest release of its flagship nonlinear editor.

Stereoizer Spatial Enhancement. Rapid, intuitive access to the large sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts. Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance always. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune your audio.

You can add this with EQ matching via sonic fingerprinting to see some unique possibilities. Mix and Master for the listener directly to Apple, Spotify, DAB Radio, and TV specifications, MasterCheck immediately reveals how your audio is going to sound to the listener, allowing you to produce with confidence and certainty. Quick check analysis and correction - one click and you're done. Save hours and prevent costly mistakes. VisLM Loudness Meter.

Using an industry standard gives you confidence and peace of mind. VisLM-H delivers everything you need — intuitively, accurately and immediately. With a unique design focused on primary loudness parameters, VisLM-H combines an instant overview with detailed historical information, enabling you to hit your target first time, every time.

Additional loudness logging and time-code functions allow for proof of compliance reporting and postmortem analysis with frame accurate referencing. Visualizer Multi-View Audio Meter. Measure, understand, correct. Visualizer gives you indispensable audio analysis for quality audio production, with a standardized reference set of professional tools that let you work faster, avoid mistakes, repeat past success, and understand the success of others.

Halo Upmix Stereo to 5. From naturally extracted and expanded soundscapes to full cinematic big-stage enhancement, Halo upmix delivers with intuitive ease, all the control you need to fine-tune your surround mix to perfection. With unique center channel management, including switchable dialog extraction, Halo is perfect for all types of production from archive restoration and TV through to the full 7.

SonicFire Pro 5. Custom soundtracks add impact and professionalism to any video. Now, the celebrated leader in soundtrack creation, SmartSound, has made its famous plug-in for Adobe Premiere Pro even better. A redesigned interface gives you almost instantaneous access to any SmartSound music.

SmartSound embedded technology helps ensure that you get exactly the right cuts of music for your project. And you can search and audition from the entire SmartSound library — not just the tracks you own. If you like a piece, enter your purchase information and download it right into your Adobe Premiere Pro project file. Nothing could be easier or quicker, and you always get exactly the right piece you're looking for. The new Quicktracks plug-in includes the SmartSound Full Spectrum music CD with 23 great pieces of royalty-free music to get you started.

More great royalty-free music and sound effects of every type are available from SmartSound Music Library. SmartSound Software offers a tremendous selection of top-quality, royalty-free music, and sound effects to bring your video projects to life.

Designed specifically to work with any SmartSound software, this music and audio expands your options so that you always have just the right mood or sound for your project. Choose from three great series of CDs: the versatile and expansive Audio Palette series, the cutting-edge contemporary Edge series, and the Sound Palette series that offers terrific sound effects. From innovative lower thirds to silky-smooth credit rolls and trendy type on animations, Boris Graffiti remains the gold standard for title animation.

Achieve one-of-a-kind effects with built-in text paths, jitter, or randomization. Expand in 3D with powerful and realistic 3D extrusions complete with reflections, bump maps, and lights or wrap your text around a 3D sphere. Create your own unique looks or draw from a vast library of presets and styles. Boris RED is the only integrated 3D compositing, titling, and effects plug-in application to deliver unparalleled performance to Adobe Premiere Pro. Premiere Pro editors use familiar windows and menus to create, rebrand, and repurpose video packages.

Collaboration across the team has never been easier and projects are completed dramatically faster. With EZTitles, you can burn subtitles into a sequence easily and quickly.

No more hassle with thousands of small subtitle files in the timeline. EZTitles puts all subtitles in just a single clip. Dive into the wealth of new, creative possibilities of Heroglyph V4.

Create professional video titles, lower-thirds, credits, travel routes, and handwriting animation with only one amazing tool. Add the perfect finishing touch to all of your projects. Endless combinations of effects, animations, and unique fonts, which create professional grade results and are easier than ever to use.

The quick, intuitive interface allows editors to efficiently create masterful, stunning title animations in minutes. As a native plug-in, the GPU-accelerated Titler Pro comes with a set of starter plug-ins, styles, and templates. Create custom titles with multilayer, true 3D space; environmental mapping; the ability to use video and photo as backgrounds; and more. Manifesto lets you create static titles, title rolls, and title crawls.

The static title generator offers a unique way to create and adjust simple one-line titles without leaving the parameter inspector. More complex titles and styles can be entered via a separate text editing window.

Motype offers a versatile palette for creating and animating text at any stage of the editorial process. Sequence Clip Reporter. Sequence Clip Reporter creates an Excel spreadsheet report about the video clips, audio clips, titles, filters, transitions, and markers you've used in your edited sequence in Adobe Premiere Pro.

Paper cuts without the pain! Starting with transcribed media files, prEdit allows you to quickly subclip the best from the transcript; easily enter log notes, with tools like auto-complete and auto-increment; quickly build and refine stories that can be previewed right inside prEdit; and send the story to Adobe Premiere Pro as a cut sequence ready for further editing. With Transcriptize, you can name the speakers; export a plain text file, suitable for the needs of a producer or to import into the Media Composer ScriptSync engine; or export an Excel spreadsheet with a variable number of words per row.

Perfect for a producer. Xto7 for Final Cut Pro. Pond5 has developed a one-of-a-kind panel that gives video editors seamless access to the largest collection of royalty-free stock videos, including hundreds of thousands of music tracks and sound effects all exclusively within Adobe Premiere Pro.

Automatic synchronization without timecode. PluralEyes automatically synchronizes audio and video clips, without the need for timecode, clappers, or any special preparation. Despite lacking the aesthetic sensibility of its cousin Lightroom 3 Windows Mac , the overall layout of Photoshop remains consistent.

It's not easy to use, nor is it hard to get used to the modular layout of adjustable panels. Further optional improvements can be made courtesy Adobe Labs' Configurator , for customizing some parts of the navigation.

Although the CS4 interface improvements were appreciated, the UI is essentially mundane and in desperate need of refinement. It's sadly ironic that the premiere image editor looks like a cockpit. Features and support The new features in Photoshop CS5 completely sell the program. It's a bit hard to fathom that a program that's been around for 20 years continues to innovate and improve as much as Photoshop has, but this version of Photoshop, officially v12, doesn't just stretch itself here.

It expands the limits of editing achievement, simplifying previously complex tasks and introducing new ones. It's not reinventing the wrench as much as it's making it do new things that everybody can immediately understand.

This review won't cover all the new features and enhancements since there are more than three dozen feature changes alone, but we'll look at some of the best and most important. The new Mini Bridge should directly affect every user's workflow. It opens a functional version of Adobe Bridge in a panel, speeding up processing by cutting down how often users have to jump out of the main Photoshop interface. Mini Bridge can be launched from the top of the interface to the right of the menubar, from the MB icon.

As with any of Photoshop's panels, the Mini Bridge can be resized and moved around the window as needed. On first launch, the Mini Bridge took longer than expected to read files before it could be used.

After that initial sluggishness, it loaded smoothly, even after rebooting the computer. It was noticeably faster to launch images from either Bridge or Mini Bridge into Photoshop compared with the previous version, but sticking Bridge access directly into Photoshop is a long-overdue innovation.

Automatic Lens Correction automates a task that previously could be completed by hand only. As CNET has noted elsewhere , Adobe based the tool on close measurements of multiple camera bodies and lenses so that Photoshop can take over the time-consuming effort of removing barrel and pincushion distortion, darkened corners from vignetting, and colored fringe on the edge of images from chromatic aberration.

You can tell that Adobe expects this feature to be a big selling point because it's one of the few new features that comes bound to a hot key. You can toggle on or off vignetting, chromatic aberration, and lens distortion correction, which are the three major fixes that the filter looks for; adjust how the filter affects the edge of the image; edit camera and lens profile search criteria; or create custom profiles.

The camera profiles seemed to be limited in our testing to more-recent models. For example, the tool lacked profiles for Canon bodies older than the 50D. A new feature in the Merge to HDR panel called Remove Ghost will tidy up any minor alignment issues between your three HDR source images, and you can select which of the three images to base the final image on.

This works fairly decently, but expect best results on images that have tricky lighting situations or are underexposed. Content Aware Fill improves Photoshop's ability to intelligently replace part of an image with pixels derived from other, nearby colors, noise, and tone. The feature can be used as part of the spot healing brush tool for fine replacements, or lassoed selections to replace large or unusually shaped chunks from an image.

The feature introduces a redone method of resampling from the image. The differences between how the tool performs here versus in CS4 are not readily apparent since the changes in pixelation and accuracy depend too greatly on the situation. Tests with the spot healing brush revealed no differences to its CS4 predecessor, but that doesn't mean its not working. In general, it felt like there was less of a problem with incorrect sampling, but this wasn't really quantifiable, as it still occurred in some cases.

One of the most difficult Photoshop tricks has just gotten strikingly easier thanks to what Adobe calls " intelligent selection. It worked extremely well with hair, and slightly less so with the more discernible echidna spikes. It sounds simple, but the introduction of the Smart Radius and Decontaminate colors functions in intelligent selection provides a stunning breadth of control during image masking. Following the tutorials for this is essential, because learning to do it right can impressively enhance your image control while cutting down on your workflow from CS4.

Puppet Warp sounds like it could be a filter to Muppetize people in your photo. It's actually a localized warping tool that gives you the ability to accurately recompose selected aspects of an image, such as changing a straight leg to bent.

It can't add content where it hasn't existed, so it works best when used on a subject shot in profile, but the tool itself worked well. Once you've created a selection, choose Puppet Warp from the Edit menu and apply pins where you want to create pivot points in the image.

Playing around with them, you can stretch a selected area between two pins. Unlike the complicated intelligent selection, Puppet Warp took seconds to learn. Of all the new tools, this is probably the most fun to use.

The tool may not appear to have much practical use, but it can easily lend itself to basic but creative 3D implementation without having to upgrade to Photoshop Extended.

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